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About Charlotta JanssenView Profile »
Charlotta Janssen’s work re-imagines discarded and archival photographs of working class Americans taken before, during and after the Great Depression. While at once cautionary, these images attempt to celebrate both the individual dignity and group solidarity of her subjects.
Her paintings represent an exploration of the Great American “void”. Janssen’s primary medium is paint: acrylic, oil, iron oxide (rust), and collage; her colour spectrum is narrow. Once finished, a piece of work is “rusted”, a random process, which gives each story a patina, whether it is popular and ordinary, or obscure and imaginative. After the rusting process, collage is applied; it’s a way of bringing in sound bites, textures and colour into the composition.
Janssen studied at the University of Arts (HDK), Berlin, Germany. Her solo exhibitions include: Threads of a Story: History Inspiring Art, National Civil Rights Museum, Memphis, Tennessee, 2014, A Whole Lotta Charlotta, Spazio Bocciofila, Venice Biennale, 2013, Freedom Riders and Bus Boycotters, The George Washington Carver Museum, Dothan, Alabama, 2013 and The Day Bayard Rustin Came To Town, Memphis Public Library, Goodwyn Gallery, Tennessee 2012. She has also participated in numerous group shows in the USA and globally, and has undertaken commissions and collaborative design projects for, among others, The University of North Carolina, Long Island Spy Museum, and mural commissions across New York. Her work is held in numerous collections, including Oprah Winfrey’s.
Online bidding for this work ended on December 11, 2014 at 10:00am ET.
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