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About Bonnie Banks

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Bonnie Banks uses drawings, videos, costumes, sets, sculptures and music to conjure worlds without temporal or spatial constraints. Ten percent of the works are frequently used as inspiration and blueprints for collaborative endeavors. Banks has organized performances for over 15 years, showcasing several ongoing collaborative projects and their releases including the concept-sound vs. futurist-kinetics oriented Rubber (0 Cement, the filmland-soundtrack dream of Commode Minstrels in Bullface, the ever-active Spider Compass Good Crime (all vulture) Band, and the onshore-drilling system Scummerai, along with Organ Spectacular presentations, Brutal Sound Effects, Groovy Fist & Chain-Go, The Electronic Puppenhorten show, and Godwaffle Noise Pancakes, a recurring series that provide a platform for the experimental-noise-sound-as-art community. 2012 saw the release of the board game Cave Evil with collaborating necropens (including Mat Brinkman), which sold out in a few months (reprint nearly gone also) & the magazine/game Psycho Raiders. Bonban's artworks are on hundreds of releases, most notably Sun City Girls, Astromero, Friends Forever, Liver Cancer, Bran..Pos, Hans Grusel's Krankenkabinet, & Aaron Dilloway. Banks has exhibited at The Lab (including a month-long residency), NOMA Gallery, Center for the Book in San Francisco, and at Enterruption Records in Seattle. Exhibition catalog titled is out Who's Who: The Butoxyetho Celled Juries of Errth based on Rubber (() Cement concepts.

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Phalanx Knobbed Spider Machine audio fight edits/riptych, 2014
Lot Number 46
Acrylic, ink, sharpie, felt tip on paper; magazine
18.5 x 13.75 in (46.99 x 34.93 cm) - framed dimensions 25.25" x 19.25"
Courtesy of the artist
Signed on verso

Online bidding for this work ended on November 15, 2014 at 3:00pm ET.

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Bonnie Banks
Phalanx Knobbed Spider Machine audio fight edits/riptych
  • Dimensions
    18.5 x 13.75 in (46.99 x 34.93 cm) - framed dimensions 25.25" x 19.25"